![]() ![]() While scientists interviewed by Inverse are quick to point out that no version of the multiverse is proven, it has nevertheless sparked debates among brilliant minds for decades. When you trace the evolution of the multiverse in both science and comics, some interesting coincidences appear. The audience is craving it and loving it.” “Gone are the days when anyone can say, ‘That’s a cool idea, but the audience just isn’t going to get it,” Narducci says. Michael Narducci, a writer on the TV show Superman & Lois that also explores the DC multiverse, says the concept is no longer too complex for today’s genre-savvy audiences. Things are not as solid as they used to be.” It’s impossible anymore to agree on what’s true. “The idea that there’s more than one set of possibilities is something that speaks to people in a very real way. “Things are fragmented,” observes Peter Ramsey, co-director of Marvel’s first multiverse film, Spider-Man: Into the Spider-Verse. The multiverse is a perfect metaphor for what it feels like to be alive today.” “Things are fragmented. “There’s too many stories, too many worlds colliding every day in our heads. ![]() In the hit multiverse dramedy, actress Michelle Yeoh stars as a laundromat owner who harnesses her powers from other realities. “The multiverse is so exciting because we live in a unique moment where there’s too much information,” Kwan tells Inverse. Indie darling Everything Everywhere All at Once, from directors Daniel Kwan and Daniel Scheinert, proves the multiverse isn’t just for blockbuster audiences but arthouse enthusiasts, too. It’s in TV shows like Stranger Things, Rick and Morty, and Loki, and in theatrical billion-dollar grosses like Spider-Man: No Way Home. ![]() Sixty-one years later, the multiverse is enjoying a rare moment of prominence as the defining sci-fi premise of the pandemic era. ![]() The word “multiverse” isn’t printed in the comic, but The Flash #123 was the beginning of the multiverse in superhero pop culture. ![]()
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